The formula for curating a sold-out, feel-good, scalable event, over and over
When my first film, dating rubik’s cube, made with $150 [mostly tape-stock] and with me wearing the hats of videographer, producer, editor, distributor, sound engineer, and lighting-tech, won Best Short Documentary at a film festival months after I started my “Oh shit! I just got fired, what am I going to do?!?” company, the seeds of one Read more…